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The Ganges River at Varanasi

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The Ganges is the longest river in India, flowing for some 1,600 miles from its source in the Himalayas to its mouth at the Bay of Bengal.   All along its length the river is considered holy by Hindus and personified as the goddess Ganga, who descended to earth through the magical intercession of the great god Shiva.  The Ganges is a link to the Himalayan abode of the gods, an ever-flowing manifestation of Shiva’s energy or Shakti.  Having descended from heaven, the river is likewise a vehicle of celestial ascent where planes of existence intersect; hence its importance in Hindu funeral rites. Flowing water purifies and the Ganges is believed to cleanse the sins of a lifetime granting release from the cycle of reincarnation.  Thus, for Hindus, cremation on the banks of the Ganges imparts salvation.

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Pilgrims — (click photos to enlarge)

Varanasi (Benares), built along the southern riverbank of the Ganges, is one of the oldest continuously inhabited cities on earth.  It is known as Kashi, City of Light, already a great cultural and trading center when the Buddha preached there in the 6th century BCE. The city prospered until falling to the Muslim invaders who conquered northern India in the 12th century.  Innumerable Hindu temples were destroyed and mosques often built over the ruins.  Yet, despite the devastation, a positive legacy of the Mughals was their promotion of silk weaving and the exquisite brocades for which Varanasi is still famous.   Varanasi eventually reverted to the rule of Hindu kings who rebuilt the city in its present form in the 18th century, including the famous ghats, or stone steps leading down to the Ganges.

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Dashashwamedth Ghat
1 COVER BACK GANGES
The Largest and Busiest Ghat

Every dawn an ancient ritual is reenacted as crowds emerge from the dark narrow lanes of the old city to congregate on the ghats for morning prayers and ablutions.  It is one of the great spectacles on earth, filled with the colorful cacophony of India.  Bathers appear oblivious to the throngs of people talking gregariously or in silent contemplation, making flower offerings or filling small brass pots with the holy water.  For despite the increasingly alarming levels of pollution, the river’s sanctity remains undiminished for the devout.  As the morning progresses, boats load and unload passengers making the rounds of famous pilgrimage sites.  Pandits consult under mushroom shaped umbrellas, ash-smeared sadhus display their yogic prowess, beggars beg, vendors sell, pilgrims pray and tourists gawk, while everyone ignores the cows ambling about.   Life and death commingle as cremation pyres are set ablaze while children splash nearby and colorful saris are laid out to dry.

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On the Steps
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Cremation Ghat

The ghats challenge our affluent western notions of hygiene,  pro-priety and personal space — we gasp,  recoil,  laugh in disbelief at the shocking incongruities and,  in the end,  are deeply moved.   We leave the ghats with senses heightened and assaulted, having plunged into a far more raw and ancient way of living,  exposing the heights and depths of our humanity and all its myriad manifestations in a way that is unforgettable.

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Reflection

Borobodur: Ascending Toward Enlightenment

In the first centuries of the Common Era,  Indian traders began expanding their sphere of influence throughout Southeast Asia, establishing outposts that eventually flourished into independent indianized kingdoms.   Their trade routes also spread Indian culture and religious ideas in a syncretic mix of Hinduism and Buddhism (which still coexisted at that time) colored by mystical Tantric elements.  This Indo-Javanese period spans from the 7th to the 10th centuries CE,  when  the  Sailendra  dynasty  ruled  Java,  Sumatra  and the Malay Peninsula.

Boro Corner View
View of the Galleries — (click photos to enlarge)
Boro OVERVIEW
View of the Monument

The Sailendras were Buddhists, and their greatest achievement was the construction around the year 800 CE of Borobodur, the largest Buddhist monument  in the world.    This  unique  structure,  built atop a low natural hill in central Java, is a three-dimensional architectural mandala.  It is not a building in the normal sense of the word,  as it is completely open to the sky and has no interior spaces.  Its design incorporates the symbolism of Mount Meru (the sacred mountain at the center of Hindu and Buddhist cosmology), the geometric patterns of a mandala diagram (used to focus psycho-spiritual energies), and bell-shaped stupas (Buddhist monuments housing holy relics).

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Plan of Borobodur

The scale of Borobodur is impressive: the monument rises up nine levels as a series of receding terraces that form a truncated pyramid. The base platform, shaped as a square with indented corners, measures 370 ft. on each side.  It is surmounted by five square terraces and three circular ones, linked by four stairways that rise to the summit, which is topped by a large bell-shaped stupa.

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Ascent to the Summit

Pilgrims traditionally ascend the eastern stairway to begin their clockwise circumambulation of the monument; a complete circuit of the four square terraces covers a distance of 3/4 of a mile.  The square terraces are surrounded by balustrades that create partially enclosed galleries which are open to the sky.  The galleries are decorated with over 500 life-sized Buddha images and some 8,202 linear ft. of exquisitely carved relief panels.

Boro Market Relief
Scenes of Daily Life

The entire sculptural program is conceived in didactic progression.  Reliefs on the base level offer lively depictions of contemporary life that illustrate the workings of karma, the spiritual law of cause and effect,  in human affairs.   Most of these carvings were later covered up by the wide platform built in order to stabilize the structure.  The relief carvings on the first terrace feature scenes from the life of the historical Buddha and fantastic tales of his earlier incarnations called Jatakas.  These panels contain some of the most famous images from Borobodur. The next four terraces depict the education of Sudhana a young man who serves as a model for the spiritual seeker of Buddhism.  The imagery of the upper galleries becomes progressively more esoteric as it focuses on the bodhisattvas, transcendent saintly figures of the Mahayana pantheon and their philosophical teachings.

Boro Buddha Relief
Scenes of Buddha’s Life
Boro Buddha Image
One of 500 Buddha Statues

In the upper circular terraces we pass from the world of forms into formlessness; from the wealth of figurative detail which decorates the lower terraces into pure abstraction.  Seventy-two hollow stupas are arranged in three concentric circles, each one pierced by small diamond or square shaped openings that allow only partial glimpses of the Buddha images inside, all seated in the pose of preaching the first sermon, called “Setting in Motion the Wheel of the Law.”

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Buddhas and Stupas of the Upper Levels

The enclosed galleries of the lower terraces obscure the view so a person cannot see very far beyond their immediate surroundings; forcing  one,  as  it were,  to  focus  on  the  teachings  being  presented at whichever stage of the journey one is at.   But once the topmost circular terraces are reached,  suddenly  the  space  opens up offering a magnificent 360-degree view of the light-filled surrounding plain.  This exhilarating experience vividly illustrates a spiritual seeker’s progression from the darkness and limitations of ignorance to the clarity and boundless freedom of enlightenment.

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View From the Top

Borobodur is a three-dimensional interactive exposition of Buddhist doctrine, capable of transforming consciousness through its very design. The pilgrim gradually ascends the sacred mountain while circumambulating in spiral fashion each level of the mandala, undergoing in the process a symbolic transformation;  leading from the depths of ignorance, upward through successive stages of increasing self-awareness and knowledge of the dharma,  to the final achievement  of  the  heights  of  spiritual  transcendence  in  nirvana.

Boro Buddha Back 2
Watching Over the Landscape